No time to write every minute is taken up with loom related activity!!! There are many advantages to retirement and having time and freedom to spend every day exactly as you wish is one of them.I don’t think I could have immersed myself so totally when the children were small or whilst working .We have been away in the motorhome to the New Forest but even here I realise I am becoming more observant and aware of pattern and colour. Derry has recently discovered birds and between us we have bought a beautiful camera and telephoto lens. Here are a few Forest images.
The Forest is not new at all but ancient. It was the hunting preserve of English royalty following the Conquest. Now it is open for all and is carefully managed . It is grazed by the New Forest ponies who live wild but are actually owned by people who live in the Forest area and have ancient grazing rites. There are herds of deer and at this time of the year pigs left to roam and eat the acorns.
I have enjoyed looking for the patterns in the trees and playing with our camera a Canon EOS 40D. Its much heavier than anything I’ve ever used before and makes a beautiful click when the shutter goes!!
We had made our camp with the motorhome in this robin’s territory and he spent the whole time circling us, sitting on branches nearby and just keeping his beady eye on his bit of the forest and our intrusion into his space!!
I have been busy this month purchasing some basic equipment which I have been kind of managing without!Warping on chair legs was amusing but I needed to provide myself tools for the job. I managed to find a second-hand warping mill through the local Guild. Its made by LeClerc and transforms warping. It is particularly helpful for me and my recovering hip not to have walk or streatch. The mill does the walking!
Its no good apologising for the chaos in this picture. I have extreme difficulty remaining on top of muddle, which indicates that weaving will either be the making of me or drive me mad eventually! You can just see my homemade raddle in the background. I made it with 1″ spaces but since this photo I have added nails to make half inch gaps. It works well !
I am becoming qiuite fond of my Berman loom despite a rusty 15 dent reed, and worn out tie-up cords between lamms and treadles. I scoured the UK internet for 3mm braided cord made of a naturel and non-slip materiel to replace the old ones. I live in the south of England on the Solent home of sailing. The chandlers have cord the correct size but made of shiny stuff and expensive. I found a firm on the Internet specialising in naturel cords and and bought 30m from a lovely man who didn’t even want payment until I had received the goods and found it OK!!
I have found so much information from other weavers in their blogs including the address of a supplier in the north of England who has provided me with a stainless steel Finnish 12 dent reed, a lovely Swedish bobbin winder and a reed hook (I had been improvising) . I have never ordered so much over the telephone, its like Christmas every day as the parcels arrive. There is something charming about weaving suppliers they all seem incrediblyhelpful and rather old-fashioned . The goods come carefully wrapped in brown paper, beautifully addressed and arrive almost by return.
This is just a chance to share with you all my new goodies.
I am beginning to feel ready to weave some real things!! There seems to be a dearth of yarn suppliers in this country. The US seems to be better provided. I found this months Handwoven in Southampton and bought it, at great expense. It is frustrating to see so many advertisments for looms, and yarn. Eventually I have found a firm and sent for shade cards. I was surprised at how difficult I found it to make choices. I want to weave some scarves for my 3 daughters-in-law for Christmas. I want to weave them on the same warp but they are all so different in tastes and style. I also want some cushion covers to match a sofa and chairs which my mother has passed on to me. I am trying to keep expenditure down to some sensible level and tried to incorporate all these things in my order. I spent ages gazing at the chairs and found colours which reflect the covers. I ordered 3 shades of 2/6 mercerised cotton in a coral, a greeny blue and a naturel. They arrived within two days. Great for cushions wierd for scarves. So I must rethink Christmas presents!!
I am finding yarn sizing impossible to understand. Is 2/6 cotton anything like 8/2 which seems a popular yarn in US ? Any information resources on yarns, setts and suitability for what theyre best for would be welcome. I want to try some towels as well as my beginners project.
Whilst waiting for my yarn and before the reed arrived I put a narrow warp on the loom to experiment with some Overshot from Ann Dixons book. I don’t like it very much as a tecnique as it seems a bit fussy, on the other hand I wanted to find out whether I could produce it. I have spent the last 2 days making endless mistakes with the treadling. Despite writing the sequence in lines of 4, taped to the loom in front of me I lost my way. I can’t imagine having the courage or the patience to produce an entire article without mistakes. I stuck with it and have managed some patterns in reasonable order. I include pictures. The colours are not delightful as I am using odds and ends.
I have decided to start my serious weaving with some tea towels. I have some blue and white cotton left over from my knitting days and I think it will be good practice to make something wider than samples and scarves and which is not over complicated. I have recently bought the Handwoven book of Scarves thinking it would inspire and guide me with the christmas present problem. Have you seen the book.? Its packed with beautiful scarves in complicated tecniques or hard to get materiels, or needs at least 16 shafts. I realised that I was light years away from this and need to keep feet on the ground and practice the basics. A book which I found was at my level of ‘beginningness’ is the Ashford book of Textures and Towels. I know you don’t actually need a book to maake a scarf but I love finding out all the possibilities. I scour the blogs for ideas as well . Most people writing blogs are making really lovely things and don’t look as if they get into the knots I manage!!!
I am going to start my towels tomorrow (once I’ve sleyed and tied on. It will be great to have a shiny new reed and not to have to wind bobbins by hand……







It gives me great pleasure to watch your beginnings.
Isn’t it fun getting all the parts for weaving??!!! I’ve been doing much the same, and am very fortunate to be in weaving territory abounding in bargains.
I’m still plodding away with my twill sampler, and am in such awe of your speedy progress with your Bergman!
Your pictures are lovely! I can imagine Robin Hood living in similar woods. And the photo of the bird is completely charming.
Lovely! I’m in awe, Deborah! I found it incredibly hard not to make mistakes with overshot, and the mistakes were almost never correctable by the time I found them. (I comforted myself with a book of old home-woven American coverlets, which are often riddled with mistakes!) Turned-draft overshot (where the pattern weft is threaded as part of the warp) was much easier to weave, though more complicated to set up. I have the same bobbin winder, which arrived in the same solid box. Isn’t it fun to use? They go like tops and last forever.
And I’m with SpinningLizzy about your storybook worthy pictures. North American robins are not so plump and cute!
Hmm. I’ve read how the yarn systems work a couple of different places–Deborah Chandler? I don’t remember the ins and outs, but it’s all based on how many yards of thread you get out of a set weight of fiber. Higher numbers = finer thread. Anyway, the main thing is that a US 8/2 cotton is the same as a UK 2/8 cotton; the numbers are just switched around. 2/6 cotton would be called 6/2 in the US. That’s a little heavier than an 8/2. The higher number is the important one. The 2 means it’s two-ply.
I took that scarf book out from the library a couple of years ago, if it’s the one I’m thinking of. I really fell in love with the alpaca pinwheel scarf in brown and black. It made me want to try a pinwheel twill, and fortunately my loom (and my patience) can handle the pattern. Glad you reminded me. . .
Happy weaving!
Hope I am doing this right! Accidentally stumbled across a picture of Margery Fulleylove working at her loom and have to send it to you if you haven’t seen it yet.
Please email me at ad7388@wayne.edu so that I can send it to you, as it is a precious photo in one of the WSU collections.
Sandy Yarrington
Wayne State University
Detroit, MI
ad7388@wayne.edu
I’m really enjoying reading about your experiences with this loom What a neat story. And you obvioudly have the weaving gene- the overshot samples are lovely!
Kimmen
Deborah, What gorgeous photos, and lovely weaving! Oh, watch out my dear — finding weaving doodads becomes addictive for sure!
I, too, am retired and just so love knowing that each day is my own. Am so looking forward to more of your stories, photos, and weavings.
Cheers,
Jane
Hello Deborah,
great to read your article, I’m just getting back into weaving and have just acquired a Harris 8 shaft table loom and am in need of a new reed – would you send me a list of your suppliers?
I love your samples they are great!!!!
all the best
Emma